Gayathri Venkataraghavan portrayed with ease the inherent beauty of Subhapantuvarali for the kriti ‘Sree Sathyanarayanam bhaje’ and Sankarabharanam for ‘Swararagasudha’ to bring out the spirit of the sahityas. The RTP in Hindolam ‘Deva Devam’ in khandatriputa traversed through the octaves with plain karvais in the shadjam and bhava-rich pidis. ‘SrimanNarayana’ in Bowli was soulful. Srikanth (violin) alapanas and swara sallies were aesthetic. Sivaraman (mridangam) and Sri Ganesh (ganjira) embellished the compositions and swaras with a touch of exuberance.